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Emma de Crespigny: Writings
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Topics
Architecture
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Student Projects
Urban Planning
Diamonds in the Jungle
Caterina Francisca
The Beauty of a Cat and a…
Katherine Roberts
It’s Personal
Sandra Nuut
Phenomenal Beauty
Anne Quito
Signs of Change
Anne Quito
Eventually Everything:…
Julie Lasky
Fly-By Worship: The…
Erin Routson
Letter From Detroit
Ingrid Norton
Don’t Leave Me
John Lingan
On Frozen Pond
Bryn Smith
Low-Fat Industrial: The…
Matt Shaw
Design for Girls: Put A…
Alexandra Lange
An Anatomy of Uncriticism
Alexandra Lange
A History Of The World In…
Adam Harrison Levy
Disaster With a D
Adam Harrison Levy
Digital as a Second Language
Ralph Caplan
Needing Jobs
Ralph Caplan
Dancing with the Stars
Lewis Lapham
1983 Call for Criticism
Massimo Vignelli
Hotel design in British…
Daniella Ohad Smith
The Inventor of the Cowboy…
Adam Harrison Levy
The Most Successful Chair
Amelie Znidaric
User Rights: The Customer…
Phil Patton
Exhibition
Adam Harrison Levy
A Dinner, a Liqueur, a Fine…
Adam Harrison Levy
The Wood Stacker
Adam Harrison Levy
Party on the Williamsburg…
Anna Kealey
High Bridge
Barbara Eldredge
How Do Committees Invent?
Phil Patton
The Bridge to Nowhere
Katya Mezhibovskaya
Spuyten Duyvil Bridge
Derrick Mead
Saul Leiter: Resurrected
Adam Harrison Levy
Nails
Adam Harrison Levy
Aha Moment: Antony Hegarty
Leital Molad
Guns at MoMA
Barbara Eldredge
Weeels Social Transit
Amna Siddiqui
Duane Reade: Your City?…
Katya Mezhibovskaya
Hands Off Our Houses
Matias Echanove and Rahul Srivastava
Uncommon Ground
Alexandra Lange
Making the Memorial
Maya Lin
Fun Stuff
Rob Walker
On Governing Design
Paola Antonelli
Go Figure
Rob Walker
Pyramid Scheme
Justin Davidson
Plastic Man
John Seabrook
Design Bites
Paola Antonelli
The Log From the Sea of…
John Steinbeck
Ricky’s Perennial Pop-Up
Stephanie Jönsson
Architecture of Ambition
Molly Heintz
Love & Architecture
Alexandra Lange
Bassett Jones, Under Our…
Russell Flinchum
The Average Cinderella
Amelie Znidaric
Fixing the World
Justin Davidson
Putting Out Fires in Style
Avinash Rajagopal
The Glorious Gowanus
Barbara Eldredge
Frank Sinatra Has a Cold
Gay Talese
Seeing Red: Graphic…
Kimberlie Birks
Earning its Stripes: The…
Kimberlie Birks
Why Teague Matters
Russell Flinchum
In Praise of Shadows
Junichiro Tanizaki
Hiroshima: The Lost…
Adam Harrison Levy
Thinking About Nothing Much
Akiko Busch
Dessert Time
Tacey Rosolowski
Digestive Aids
Zachary Sachs
In a Desert of Pure Feeling
Lawrence Weschler
Fascist Seduction
Steven Heller
Taking Art to Point Zero,…
Lawrence Weschler
American Apparel’s…
Anna Kealey
The Formation of the…
Clement Edson Armi
Double Standard
Zachary Sachs
Blue Walls
Avinash Rajagopal
Somebody Nailed My Dress to…
Randolyn Zinn
Remembering Saul
Ralph Caplan
The Plain Beauty of…
Karen Stein
Sometimes We Do It Right
Ada Louise Huxtable
Lady Gaga is a Machine for…
Aileen Kwun
Why Nicolai Ouroussoff Is…
Alexandra Lange
The Revelation, or advice…
John Thackara
The High Line: Heightening…
Kimberlie Birks
Why Has Critique Run Out of…
Bruno Latour
Music in Zeroes and Ones
Molly Heintz
Don’t Go in There!:…
Amelie Znidaric
Advertising Takeover
Saundra Marcel
Pedicab Wallah
Avinash Rajagopal
Whatever Happened to Total…
Mark Wigley
Air Guitar
Dave Hickey
Celebrating Design
Avinash Rajagopal
The Schwinn Sting-Ray, The…
Emily Leibin
The New Park on the Old…
Avinash Rajagopal
Why There Are No Locks on…
Ralph Caplan
Seeing
Annie Dillard
The Glorious Whitewasher
Mark Twain
Who Are Steve Heller?
Ralph Caplan
Overalls
James Agee
The Exile of Satan from…
Alan Rapp
Blood Types
Angela Riechers
One Mile (The Power Broker)
Robert Caro
The Things That Matter
Sherry Turkle
On Criticism
Multiple Authors
Stumbling Is the Cost of…
Ralph Caplan
Compulsion: Where Object…
Chappell Ellison
I Am a Tree
Orhan Pamuk
Contemporary World…
Susan Yelavich
A Manifesto for…
Jamer Hunt
The Look of Metal Today
Alan Rapp
Considering Wall-E
Chappell Ellison
Welcome to the Naming…
Angela Riechers
De-Malling South Street…
Laura Forde
A Cautious Prometheus?
Bruno Latour
A Good Argument
Peter Hall
A New Page
Nicholson Baker
Japanese Face Masks
Steven Heller
Excess Disguised as Less
Akiko Busch
Coyote vs. Acme,…
Ian Frazier
Design You Can Bank On
Angela Riechers
The Evolution of the…
Paul Lukas
Three Complaints About…
Naomi Stead
Just Beneath the Surface
Akiko Busch
Odes to Objects
D-Crit Class of 2010
Trump, The Logo
John Cantwell
The Art of Donald McGill
George Orwell
That’s the Ticket
Angela Riechers
Simplicity Is Not the Answer
Don Norman
The Glass Stampede
Justin Davidson
My Life and Work
Henry Ford
A Rape In Cyberspace, or…
Julian Dibbell
What Went Wrong With the…
Dan Nadel
From Mao to Wow!
Kurt Andersen
Space Case: Star Wars…
Anthony Lane
Shepard Fairey is Not a…
Steven Heller
How Much is That Artifact…
Steven Heller
The Soul of Design
Rick Poynor
Down with Innovation
Rick Poynor
Can You Spare a (Mercury)…
Phil Patton
The Beauty of a Park
Alexandra Lange
A Letter to the Dean
Philip Nobel
On Sheet Music
Jody Rosen
Ur Jordan
Phil Patton
Modernist Malice
Andrea Codrington Lippke
An Uphill Struggle
David Womack
Robots Like to Do It with…
Mike Neal
Harley Earl’s…
Russell Flinchum
Let The Games Begin
Jennifer Kabat
The Hand Up Project:…
Elizabeth Demaray
Design Criticism’s…
Alice Twemlow
Against Interpretation
Susan Sontag
A Dutch Perspective on Craft
Louise Schouwenberg
Railway Stations
John Ruskin
The Lamp of Beauty
John Ruskin
Die Another Day
Philip Nobel
Building the (New) New…
Alexandra Lange
A Bad Type Idea Is a Worse…
Frederico Duarte
The Designibles
Jessica Helfand
The Long Goodbye
Raymond Chandler
Theoretically Challenged
Ralph Caplan
The Vegetable Peeler
Akiko Busch
Industrial Design and…
Reyner Banham
The (Faux) Old Ball Game
Michael Bierut
The Time for Being Against
Rick Poynor
Dada-Vu
Steven Heller
Clip Art
Nicholson Baker