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	<title>D-Crit &#187; Events</title>
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	<link>http://dcrit.sva.edu</link>
	<description>School of Visual Arts Masters of Design Criticsm</description>
	<lastBuildDate>Sun, 14 Jul 2013 22:47:46 +0000</lastBuildDate>
	
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		<title>Making Things Up: Fiction as Prototype with Alice Twemlow, David Womack, and Noam Toran, July 14–20, FRANCE</title>
		<link>http://dcrit.sva.edu/view/events/making-things-up-fiction-as-prototype-july-14%e2%80%9320-france/</link>
		<comments>http://dcrit.sva.edu/view/events/making-things-up-fiction-as-prototype-july-14%e2%80%9320-france/#comments</comments>
		<pubDate>Sun, 14 Jul 2013 22:47:46 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=7089</guid>
		<description><![CDATA[Join SVA D-Crit program director and design critic Alice Twemlow, writer and R/GA executive creative director of mobile and social platforms David Womack, and artist and Design Interactions senior lecturer Noam Toran for a week-long immersion into fiction, as read through the lens of design. Participants are invited to use design and designed objects to [...]]]></description>
			<content:encoded><![CDATA[<p>Join SVA D-Crit program director and design critic Alice Twemlow, writer and R/GA executive creative director of mobile and social platforms David Womack, and artist and Design Interactions senior lecturer Noam Toran for a week-long immersion into fiction, as read through the lens of design. Participants are invited to use design and designed objects to inspire and animate fictional and critical writing, and fictional techniques to inform and shape design practice. Bring your works-in-progress, or use a week in the grounds of the glorious Boisbuchet chateau to begin something fresh. This workshop offers the intensity of the production and the seclusion of a writer/designer retreat, but hopefully also the new perspective on one&#8217;s everyday practice and the clarity of thought that only comes with distance from one&#8217;s desk.</p>
<p>Details at <a href="http://www.boisbuchet.org/" target="_blank">www.boisbuchet.org</a></p>
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		<title>&#8220;Design The Life You Love,&#8221; A Workshop Led by Ayse Birsel</title>
		<link>http://dcrit.sva.edu/view/events/design-the-life-you-love-with-ayse-birsel/</link>
		<comments>http://dcrit.sva.edu/view/events/design-the-life-you-love-with-ayse-birsel/#comments</comments>
		<pubDate>Sat, 15 Jun 2013 15:00:41 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6679</guid>
		<description><![CDATA[Design The Life You Love By Ayse Birsel
Saturday, June 15th
In her acclaimed Design the Life You Love workshops,  award-winning designer, Ayse Birsel, shares her design experience and creative process, Deconstruction: Reconstruction™, to teach you how to think about life with playfulness, imagination and optimism.
Life, like a design problem, is full of constraints such as time, money, age, location, and circumstance. You [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Design The Life You Love </strong><span style="font-weight: bold;">By Ayse Birsel</span></p>
<p>Saturday, June 15th<br />
In her acclaimed Design the Life You Love workshops,  award-winning designer, Ayse Birsel, shares her design experience and creative process, Deconstruction: Reconstruction™, to teach you how to think about life with playfulness, imagination and optimism.</p>
<p>Life, like a design problem, is full of constraints such as time, money, age, location, and circumstance. You cannot have everything. If you want more, you have to be creative about how to make what you need and what you want co-exist.</p>
<p>This requires design thinking.Using metaphors, models and visualizations, you will draw from concepts in fields as diverse as fashion, design, art, and gastronomy—looking to the work of thinkers like Issey Miyake, Ferran Adria, James Dyson and Steve Jobs—as food for thought.</p>
<p>For more information, please contact Leah Caplan at <a href="mailto:leah@birselplusseck.com" target="_blank">leah@birselplusseck.com</a> or you can register at Eventbrite: <a href="http://designthelifeyoulovebyaysebirsel.eventbrite.com/" target="_blank">http://designthelifeyoulovebyaysebirsel.eventbrite.com</a>.</p>
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		<title>Design Writing and Research Summer Intensive, June 3–14, 2013</title>
		<link>http://dcrit.sva.edu/view/events/design-writing-and-research-summer-intensive-june-3%e2%80%9314-2013/</link>
		<comments>http://dcrit.sva.edu/view/events/design-writing-and-research-summer-intensive-june-3%e2%80%9314-2013/#comments</comments>
		<pubDate>Mon, 03 Jun 2013 15:00:39 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6777</guid>
		<description><![CDATA[This June we&#8217;ll be running another two-week Design Writing and Research Intensive here in the D-Crit studio. The Intensive offers students and working professionals a unique opportunity to study closely with leading writers, editors, and critics, and to learn how to write compellingly about images, objects, spaces, and infrastructure. A robust daily schedule of seminars, lectures, writing workshops, and [...]]]></description>
			<content:encoded><![CDATA[<p>This June we&#8217;ll be running another two-week Design Writing and Research Intensive here in the D-Crit studio. The Intensive offers students and working professionals a unique opportunity to study closely with leading writers, editors, and critics, and to learn how to write compellingly about images, objects, spaces, and infrastructure. A robust daily schedule of seminars, lectures, writing workshops, and one-on-one tutorials will be supplemented with site visits, design studio tours, and exhibition openings. Each participant will have a workstation in the beautiful light-filled D-Crit studio in New York City’s Chelsea district, and 24-hour access to department resources. Faculty and lecturers include: Steven Heller, Karrie Jacobs, Jennifer Kabat, Adam Harrison Levy, Alice Twemlow, Rob Walker, Mimi Zeiger. Studio visits include: Antenna Design, frog, Kiss Me I&#8217;m Polish, Emily Oberman at Pentagram, Mary Ping, Sagmeister Inc., Chris Streng, with more to be announced. Find Summer 2013 application instructions, plus details from last year&#8217;s Intensive, at <a rel="www.dcrit.sva.eduintensive" href="http://e2.ma/click/rhu2c/bh7vyc/bp1s2" target="_blank">www.dcrit.sva.edu/intensive</a></p>
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		<title>counter/point: The 2013 D-Crit Conference</title>
		<link>http://dcrit.sva.edu/view/events/save-the-date-2013-d-crit-conference/</link>
		<comments>http://dcrit.sva.edu/view/events/save-the-date-2013-d-crit-conference/#comments</comments>
		<pubDate>Sat, 11 May 2013 17:30:20 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6661</guid>
		<description><![CDATA[
You are invited to the 2013 D-Crit Conference, moderated by NPR&#8217;s “The Takeaway” host John Hockenberry, and featuring graduating students of the SVA MFA in Design Criticism, on May 11, 2013 at the SVA Theatre in New York City. The event is free and open to the public but you must register to save your [...]]]></description>
			<content:encoded><![CDATA[<div>
<p>You are invited to the 2013 D-Crit Conference, moderated by NPR&#8217;s “The Takeaway” host John Hockenberry, and featuring graduating students of the SVA MFA in Design Criticism, on May 11, 2013 at the SVA Theatre in New York City. The event is free and open to the public but you must <a href="http://2013dcritconference-eorg.eventbrite.com/">register</a> to save your seat.</p>
<p>Paola Antonelli, senior curator of Architecture and Design at the Museum of Modern Art, will deliver the keynote lecture, launching an afternoon of rich, polyphonic exchange between the D-Crit Class of 2013 and a headlining roster of design curators, practitioners, theorists, critics, educators, and planners. D-Crit students will be presenting their thesis research in counterpoint with: Walker Arts Center curator of Architecture and Design Andrew Blauvelt; British interaction design firm Dunne &amp; Raby co-founder Fiona Raby; architect and theorist Mark Foster Gage; director of the J. Max Bond Center on Design for the Just City Toni Griffin; and architect and activist Michael Sorkin.</p>
<p>Topics to be addressed include: the persistence of segregation in today’s built environment; the problems inherent in exhibiting graphic design; the spectacular framing of nature in the urban environment; product design’s social and participatory dimension; and how some emerging architects are using literal representation in new ways.</p>
<p>This will be the fourth D-Crit conference organized by, and featuring, graduating D-Crit students. Join us for a fast-paced afternoon of heady ideas and practical insight about the subjects and strategies giving shape to design criticism today, and help us to celebrate a new generation of design critics, editors, journalists, authors, curators, researchers, and educators. Thanks to supporting partners like MailChimp, this event is free and open to the public.</p>
<p><strong>D-Crit Conference Moderator:</strong></p>
<p>Founding host of the public radio program “The Takeaway,” John Hockenberry has worked in network television, documentary films, new media, and is the author of the novel River out of Eden as well as the journalist memoir <em>Moving Violations</em>, a National Book Critic’s Circle Award finalist. He has been host or correspondent for a half dozen network programs, including “All Things Considered,” “Morning Edition,” and “Talk of the Nation” on NPR; “Day One&#8221; and “Good Morning America Sunday” at ABC News; and “Edgewise”, “Hockenberry” and “Dateline NBC” at NBC News. Holder of four Emmy awards and four Peabody awards for journalism, Hockenberry is also a celebrated speaker at the TED conference and, as a high profile advocate for social justice and the rights of the disabled, he has argued for disability rights at the United Nations and at the White House.</p>
<p><strong>D-Crit Conference Keynote Speaker:</strong></p>
<p>Paola Antonelli is Senior Curator in the Department of Architecture and Design at the Museum of Modern Art where, since 1994, she has curated groundbreaking exhibitions such as “Design and the Elastic Mind,” “Humble Masterpieces,” “Mutant Materials in Contemporary Design,” “SAFE: Design Takes on Risk,” and “Workspheres.” For these accomplishments she received the 2006 Cooper-Hewitt National Design Museum Design Mind Award, a senior fellowship from the Royal College of Art, London, and an honorary doctorate from Kingston University. Antonelli teaches “Design Exhibition and Collection Curation” at the SVA MFA in Design Criticism.</p>
<p><strong>D-Crit Conference Speakers:</strong></p>
<p>Andrew Blauvelt is curator of Architecture and Design and chief of communications and audience engagement at the Walker Art Center. Blauvelt has organized several major touring exhibitions for the Walker, including: “Graphic Design: Now in Production” with the Cooper-Hewitt National Design Museum, “Worlds Away: New Suburban Landscapes” with the Carnegie Museum of Art,  and “Strangely Familiar: Design and Everyday Life.” He is currently working on an exhibition that explores the elevated pedestrian walkway in various global “skyway” cities. Blauvelt writes and lectures about design and culture for various publications including DesignObserver.</p>
<p>Mark Foster Gage&#8217;s work ranges from architectural projects and products to interdisciplinary collaborations, most recently with fashion designer Nicola Formichetti on an outfit for Lady Gaga and a series of concept stores that recently opened in New York City, Hong Kong, and Beijing. Gage has taught at Yale since 2001 and has written on architecture and design in such journals as <em>Journal of Architectural Education, Architectural Design</em>, and <em>Perspecta</em>. He was the guest co-editor of <em>Log #17</em>, which focused on the relationship between material, media, and affect. Gage&#8217;s most recent books are:<em> Composites, Software and Surfaces: Towards a High Performance Architecture </em>and A<em>esthetic Theory: Essential Texts for Architecture and Design</em>.</p>
<p>Toni L. Griffin was recently named Professor and Director of the J. Max Bond Center for Architecture at the Spitzer School of Architecture at the City College of New York. She also runs the firm Urban Planning and Design for the American City, whose clients include the cities of Newark, NJ and Detroit, MI. Prior to returning to private practice, Griffin was the director of community development for the City of Newark, where she was responsible for creating a centralized division of planning and urban design, and before that she served as vice president and director of design for the Anacostia Waterfront Corporation in Washington, D.C., and held the position of deputy director for Revitalization Planning and Neighborhood Planning in the D.C. Office of Planning.</p>
<p>Fiona Raby is a partner in the British design partnership Dunne &amp; Raby, established in 1994. She is professor of Industrial Design at the University of Applied Arts in Vienna, and a reader in Design Interactions at the Royal College of Art in London. Dunne &amp; Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. Their work has been exhibited at MoMA, the Pompidou Centre, and the Science Museum in London. They have published two books: <em>Design Noir: The Secret Life of Electronic Objects </em>and <em>Hertzian Tales</em>. A new book, <em>Speculative Everything: Design, Fiction and Social Dreaming</em>, will be published by MIT Press in late 2013.</p>
<p>Michael Sorkin is an architect and urbanist whose practice spans design, criticism, and teaching. He is a contributing editor at Architectural Record and the author of numerous books including <em>Variations on A Theme Park, Exquisite Corpse, Local Code, Wiggle, Some Assembly Required, Other Plans, The Next Jerusalem</em>, and <em>After The World Trade Center</em> (edited with Sharon Zukin), among others. Sorkin is the principal of the Michael Sorkin Studio in New York City, a design practice with a special interest in the city and in green architecture. In 2006, Sorkin founded Terreform, a non-profit devoted to research and intervention in urban planning and sustainability issues. Sorkin has been the Director of the Graduate Urban Design Program at the City College of New York since 2000.</p>
<p>The conference website, with full speaker bios, confirmed schedule, and presentation descriptions, to launch soon!</p>
<p>In the meantime you can follow <a href="twitter.com/dcritconference">@dcritconference</a> on Twitter</p>
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		<title>Book Launch: Fabrico Próprio 2nd edition, presented by Frederico Duarte</title>
		<link>http://dcrit.sva.edu/view/events/book-launch-fabrico-proprio-2nd-edition-presented-by-d-crit-grad-frederico-duarte/</link>
		<comments>http://dcrit.sva.edu/view/events/book-launch-fabrico-proprio-2nd-edition-presented-by-d-crit-grad-frederico-duarte/#comments</comments>
		<pubDate>Sat, 11 May 2013 00:00:37 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6941</guid>
		<description><![CDATA[
Fabrico Próprio—now in its second, improved edition—is coming to New York City, after being launched in Lisbon, Rio de Janeiro and São Paulo. The launch will take place at Manhattan&#8217;s architecture and design bookstore Van Alen Books .
Design critic (and D-Crit faculty member) Akiko Busch will introduce the book and discuss with authors Rita João, Pedro [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-medium wp-image-6942" title="FP_2012-00" src="http://dcrit.sva.edu/wp-content/uploads/2013/03/FP_2012-00-230x325.jpg" alt="" width="230" height="325" /></p>
<p><a href="http://www.fabricoproprio.net/">Fabrico Próprio</a>—now in its second, improved edition—is coming to New York City, after being launched in Lisbon, Rio de Janeiro and São Paulo. The launch will take place at Manhattan&#8217;s architecture and design bookstore <a href="http://www.vanalenbooks.org/">Van Alen Books</a> .</p>
<p>Design critic (and D-Crit faculty member) Akiko Busch will introduce the book and discuss with authors Rita João, Pedro Ferreira, and (2010 graduate) Frederico Duarte the intersections between confectionery, culture, and design. New York-based Turkish designer Naz Sahin will also join the conversation.</p>
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		<title>&#8220;Design The Life You Love,&#8221; A Workshop Led by Ayse Birsel</title>
		<link>http://dcrit.sva.edu/view/events/design-the-life-you-love-a-workshop-led-by-ayse-birsel-3/</link>
		<comments>http://dcrit.sva.edu/view/events/design-the-life-you-love-a-workshop-led-by-ayse-birsel-3/#comments</comments>
		<pubDate>Sat, 27 Apr 2013 19:37:51 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6887</guid>
		<description><![CDATA[
Design The Life You Love
On Saturday, April 27, 2013, join award-winning designer and co-founder of Birsel + Seck design and innovation studio, Ayse Birsel, for her acclaimed Design The Life You Love workshop.
In the article Forget New Year&#8217;s Resolutions. This Year Use Design Tools to Redesign Your Life, Linda Tischler, senior editor of Fast Company, writes, &#8220;My New [...]]]></description>
			<content:encoded><![CDATA[<div>
<p>Design The Life You Love</p>
<p>On Saturday, April 27, 2013, join award-winning designer and co-founder of <a href="http://dereconstruction.com/">Birsel + Seck</a> design and innovation studio, Ayse Birsel, for her acclaimed Design The Life You Love workshop.</p>
<p>In the article <a href="http://www.huffingtonpost.com/linda-tischler/forget-new-years-resoluti_b_798710.html">Forget New Year&#8217;s Resolutions. This Year Use Design Tools to Redesign Your Life</a>, Linda Tischler, senior editor of Fast Company, writes, &#8220;My New Year&#8217;s resolutions tend toward the prosaic&#8230;but thanks to Ayse Birsel, this year I&#8217;m thinking bigger&#8230;&#8221;</p>
<p>Today faced with complex challenges and a pace of change that is often disorienting, we need to invent our own rules. In Design the Life You Love, Ayse draws from her experience and creative process to offer design tools as our survival kit. Using metaphors, mapping and visual modeling, and drawing inspiration from art, design and fashion, the workshop provides a step-by-step guide to becoming the designer of your life with optimism, curiosity and playfulness.</p>
<p>We look forward to your participation.</p>
<p>For more information on Ayse Birsel, Birsel + Seck and the Design The Life You Love workshops, please visit <a href="http://dereconstruction.com/">dereconstruction.com<br />
</a>For registration, contact Leah Caplan at <a href="mailto:leah@birselplusseck.com">leah (at) birselplusseck.com</a>.</p>
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		<title>Kurt Andersen, &#8220;Why Spy&#8221;</title>
		<link>http://dcrit.sva.edu/view/events/kurt-andersen-why-spy/</link>
		<comments>http://dcrit.sva.edu/view/events/kurt-andersen-why-spy/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 23:30:58 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6742</guid>
		<description><![CDATA[Of the satirical 1980s magazine Spy, Dave Eggers has observed, &#8220;It might have remade New York&#8217;s cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There&#8217;s no magazine I know of that&#8217;s so continually referenced, held up as a benchmark, and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dcrit.sva.edu/view/events/kurt-andersen-why-spy/"><em>Click here to view the embedded video.</em></a></p>
<p>Of the satirical 1980s magazine <em>Spy</em>, Dave Eggers has observed, &#8220;It might have remade New York&#8217;s cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There&#8217;s no magazine I know of that&#8217;s so continually referenced, held up as a benchmark, and whose demise is so lamented.&#8221; The novelist and radio host (and D-Crit faculty member) Kurt Andersen, a co-founder of <em>Spy</em> and, until 1993, its editor-in-chief, will talk about the thrilling and terrifying creation, operation, evolution and impact of an extraordinary magazine. Kurt Andersen is the co-creator and host of the Peabody Award-winning &#8220;Studio 360,&#8221; the weekly public radio program about culture and the arts. His most recent book is the novel<em>True Believers</em> (Random House, 2012). He is also the author of the best-selling novels<em>Heyday</em> (Random House, winner of the Langum Prize for the best historical fiction of 2007) and <em>Turn of the Century</em> (Random House, 1999). He co-founded <em>Spy</em>, <em>Inside.com</em>, and <em>Very Short List</em>, and served as editor-in-chief of <em>New York</em> magazine and editorial director for<em>Colors</em>. He has been a columnist for <em>New York</em> and <em>The New Yorker</em>, as well as<em> Time</em>’s architecture and design critic, and is a contributing editor to <em>Vanity Fair</em>. Andersen has served as Visionary in Residence at the Art Center College of Design, holds an honorary doctorate from RISD, and is a faculty member of SVA MFA Design Criticism.</p>
<p>Each lecture is followed by a lively Q&amp;A session and refreshments in the D-Crit Reading Room. Lectures are free and open to the public but you do need to <a href="http://e2.ma/click/rhu2c/bh7vyc/f4zs2">register</a> to reserve your space.</p>
<p><a href="http://dcrit.sva.edu/wp-content/uploads/2013/01/Ivana_spy.jpg"><img title="Ivana_spy" src="http://dcrit.sva.edu/wp-content/uploads/2013/01/Ivana_spy.jpg" alt="" width="150" height="150" /></a></p>
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		<title>Rick Poynor, &#8220;Writing with Pictures&#8221;</title>
		<link>http://dcrit.sva.edu/view/events/rick-poynor-writing-with-pictures/</link>
		<comments>http://dcrit.sva.edu/view/events/rick-poynor-writing-with-pictures/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 23:30:38 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6747</guid>
		<description><![CDATA[
Rick Poynor, the British critic, writes about images, and selects and edits them for magazines, books, exhibitions, and his blog at Design Observer. He is also increasingly preoccupied, as a photographer, with making images himself. Just as designers can expand their practice through writing, he argues, so can writers in visual disciplines extend their practice [...]]]></description>
			<content:encoded><![CDATA[<p><p><a href="http://dcrit.sva.edu/view/events/rick-poynor-writing-with-pictures/"><em>Click here to view the embedded video.</em></a></p><br />
<a href="http://dcrit.sva.edu/wp-content/uploads/2013/04/Poynor_D-Crit_2.jpg"><img class="alignnone size-medium wp-image-6891" title="Poynor_D-Crit_2" src="http://dcrit.sva.edu/wp-content/uploads/2013/04/Poynor_D-Crit_2-230x310.jpg" alt="" width="230" height="310" /></a></p>
<p><a href="http://dcrit.sva.edu/wp-content/uploads/2013/04/Poynor_D-Crit_2.jpg"></a>Rick Poynor, the British critic, writes about images, and selects and edits them for magazines, books, exhibitions, and his blog at Design Observer. He is also increasingly preoccupied, as a photographer, with making images himself. Just as designers can expand their practice through writing, he argues, so can writers in visual disciplines extend their practice by learning to write with images; pictures should be much more than an afterthought. He will show and discuss his photographs, often used as a starting point for Design Observer posts, and argue that a key task now for the visually aware writer is to build a closer critical relationship between words and pictures.</p>
<p>Visiting Professor in Critical Writing in Art &amp; Design at the Royal College of Art in London, Rick Poynor was the founding editor of<em> Eye</em> and a co-founder of <em>Design Observer</em>. He is a long-serving columnist for both <em>Print </em>and <em>Eye</em>, and has written about design and visual culture for <em>Blueprint, Icon, Creative Review, Frieze, Financial Times, The Guardian, Adbusters, Harvard Design Magazine</em>, and <em>Metropolis</em>. His books include the newly reissued critical study <em>No More Rules</em> (Yale University Press, 2003), the monograph <em>Jan van Toorn: Critical Practice</em> (010 Publishers, 2008), and the essay collections <em>Design Without Boundaries</em> (Booth-Clibborn Editions, 1998), <em>Obey the Giant </em>(Birkhauser, 2001), and <em>Designing Pornotopia</em> (Laurence King, 2006).</p>
<p>Each lecture is followed by a lively Q&amp;A session and refreshments in the D-Crit Reading Room. Lectures are free and open to the public but you do need to <a href="http://e2.ma/click/rhu2c/bh7vyc/f4zs2">register</a> to reserve your space.</p>
<p>Also, please note the new start time of 6:30 p.m.</p>
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		<title>Bill Nericcio, &#8220;Bandit, Succubus, Gigolo, Maid, &amp; Fiend: 20th and 21st Century Latina/o Bodies in the Imagination of the Americas&#8221;</title>
		<link>http://dcrit.sva.edu/view/events/bill-nericcio-bandit-succubus-gigolo-maid-fiend-20th-and-21st-century-latinao-bodies-in-the-imagination-of-the-americas-2/</link>
		<comments>http://dcrit.sva.edu/view/events/bill-nericcio-bandit-succubus-gigolo-maid-fiend-20th-and-21st-century-latinao-bodies-in-the-imagination-of-the-americas-2/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 18:00:37 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6966</guid>
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WORKING LUNCH at 1:00 p.m.
Tuesday, April 9
Bill Nericcio, Bandit, Succubus, Gigolo, Maid, &#38; Fiend
20th and 21st Century Latina/o Bodies in the Imagination of the Americas


Bill Nericcio presents a brief multimedia presentation examining dominant trends in the representation of Latinas and Latinos in American popular culture—from Hollywood to Madison Avenue, specific and damaging visions of Latina/o [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><strong><a href="http://dcrit.sva.edu/wp-content/uploads/2013/04/nericcio_sva_dcrit_2013.jpg"><img class="alignnone size-large wp-image-6968" title="nericcio_sva_dcrit_2013" src="http://dcrit.sva.edu/wp-content/uploads/2013/04/nericcio_sva_dcrit_2013-470x548.jpg" alt="" width="470" height="548" /></a></strong></div>
<div><strong><a href="http://dcrit.sva.edu/wp-content/uploads/2013/04/nericcio_sva_dcrit_2013.jpg"></a>WORKING LUNCH at 1:00 p.m.</strong></div>
<div id="_mcePaste"><strong>Tuesday, April 9</strong></div>
<div id="_mcePaste"><strong>Bill Nericcio, Bandit, Succubus, Gigolo, Maid, &amp; Fiend</strong></div>
<div id="_mcePaste"><strong>20th and 21st Century Latina/o Bodies in the Imagination of the Amer</strong><strong>icas</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">Bill Nericcio presents a brief multimedia presentation examining dominant trends in the representation of Latinas and Latinos in American popular culture—from Hollywood to Madison Avenue, specific and damaging visions of Latina/o subjectivity have infected the synapses of Canadians, Americans, and Mexicans alike&#8211;these &#8220;ethnic mannequins&#8221; (Speedy Gonzales, Charo, the Frito Bandito, etc) some to dominate consciousness, leading to the renaissance on racialized hatred currently en vogue in the U.S. from New York to California, from Arizona to Georgia. If Lou Dobbs says that Mexicans are &#8220;diseased&#8221; and John McCain contends (with a straight face) the illegal immigrants are starting forest fires, and Rush Limbaugh tells his listeners to tell &#8220;Mexicans&#8221; to go back to their country, what is the result? Research would seem to suggest these collective efforts have led to a resurgence of anti-Latino hate and hate crimes at the very moment demographically that the lands of Uncle Sam are more decidedly Latino/a. The presentation will feature excerpts from Tex[t]-Mex, Eyegiene, the Tex[t]-Mex Galleryblog and art from Mextasy.</div>
<div>.</div>
<div id="_mcePaste">Bill Nericcio is a literary theorist, cultural critic, American Literature scholar, and Professor of English and Comparative Literature at San Diego State University. His work focuses on Chicano literature and film, Mexican-American cultural studies, continental philosophy, psychoanalysis, and global popular culture. He wrote a book on popular representation of Mexican and Mexican-American identity, Tex[t]-Mex: Seductive Hallucinations of the &#8220;Mexican&#8221; in America which was awarded the designation ‘Outstanding Academic Title’ 2007 by the American Library Association in the category of Film Studies. He has two other books published by San Diego State University Press—one, The Hurt Business: Oliver Mayer&#8217;s Early Works Plus, and Homer From Salinas: John Steinbeck&#8217;s Enduring Voice for the Californias, both from SDSU Press&#8217;s Hyperbole Books imprint.</div>
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		<title>Virginia Postrel, &#8220;Meaning and Value in Commercial Culture&#8221;</title>
		<link>http://dcrit.sva.edu/view/events/lecture-with-virginia-postrel/</link>
		<comments>http://dcrit.sva.edu/view/events/lecture-with-virginia-postrel/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 23:30:56 +0000</pubDate>
		<dc:creator>EmiIy Weiner</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://dcrit.sva.edu/?p=6677</guid>
		<description><![CDATA[
Meaning is one of the greatest sources of economic value and one of the least respected. Explanations of why people buy things &#8220;they don&#8217;t need&#8221; tend to fall back on stories of status signaling or simple delusion. But actual motives and meanings are much more complicated and interesting, and their results more dynamic and unpredictable. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dcrit.sva.edu/view/events/lecture-with-virginia-postrel/"><em>Click here to view the embedded video.</em></a></p>
<p><a href="http://dcrit.sva.edu/wp-content/uploads/2013/03/nightgown-pinker-postrel_sq.jpg"><img class="alignnone size-full wp-image-6717" title="nightgown-pinker-postrel_sq" src="http://dcrit.sva.edu/wp-content/uploads/2013/03/nightgown-pinker-postrel_sq.jpg" alt="" width="150" height="150" /></a></p>
<p><a href="http://dcrit.sva.edu/wp-content/uploads/2013/03/nightgown-pinker-postrel_sq.jpg"></a>Meaning is one of the greatest sources of economic value and one of the least respected. Explanations of why people buy things &#8220;they don&#8217;t need&#8221; tend to fall back on stories of status signaling or simple delusion. But actual motives and meanings are much more complicated and interesting, and their results more dynamic and unpredictable. Drawing on her work in <em>The Substance of Style</em> and her forthcoming book <em>The Power of Glamour</em>, author and critic Virginia Postrel will look at what we can learn about our culture and ourselves by taking meaning seriously as a source of economic value. Virginia Postrel is an author, columnist, and speaker whose work spans a broad range of topics, from social science to fashion. She describes her work as &#8220;intellectual arbitrage&#8221;—synthesizing, analyzing, and communicating ideas from many different fields in an original and accessible way, usually with focus on culture and commerce. Postrel is the author of<em> The Substance of Style</em> (2003) and <em>The Future and Its Enemies</em> (1998). She is writing a book on glamour, to be published in Fall 2013 by Simon &amp; Schuster, and is a regular columnist for the Bloomberg View division of <em>Bloomberg.com</em>.</p>
<p>Each lecture is followed by a lively Q&amp;A session and refreshments in the D-Crit Reading Room. Lectures are free and open to the public but you do need to <a href="http://e2.ma/click/rhu2c/bh7vyc/f4zs2">register</a> to reserve your space.<br />
Also, please note the new start time of 6:30 p.m.</p>
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